Brian Glanville the Thing He Loves Essay

Brian Glanville "the Issue He Loves”

Стилистический анализ текста: Brian Glanville " The Thing He Loves”

The written text under stylistic analysis is taken from the book " The thing he loves” by Brian Glanville.

The story can be told by author. This story is around terrible car crash which took place with the a more elevated of this history.

It starts with the author's memory about that awful working day. Here we have such stylistic devices like ellipsis " It sensed terrible. The worst minute in my life. Horrible, it experienced. It still does. It always will”. These short sentences reveal the mental state of the main figure, that time passed nevertheless he even now in impact, and seems that it will always in his memory.

The initial thought he had when this happened was " bloody hell” - it's an epithet that clearly identifies all that situation. Everything happened so instantly that the key character could not realize it: " beat on the footbrake and then that dreadful bump”, the author uses the epithet " dreadful”.

Then in the text we have the description of the car accident " …the body as well as the blood”. We don't know specifically, but I believe that this individual knew that individual that was under the car. Because we certainly have such words and phrases " Our god please The almighty, don't let that be him, it can't be him”. The the householder's voices explained it was Joey Black and he could be dead.

The policeman asked him what happened, and then we have the voices again: " It's Joey Black… Dead…” and here the writer uses the comparison " he go out like a lunatic” to show that may be the man wished to committee a suicide.

The primary character went a bit hysterical, he wished to know if perhaps this man is dead or not really. He attempted to get over to see the body, but everything he previously seen was " the mass of long fair hair, blood around and an ambulance”. And in the end of the textual content the author uses euphemism " he was gone” that means the fact that man is usually dead.